Treasure can be described as wealth or riches we store or accumulate, a collection of valuable, interesting or useful things, bits and pieces we highly value, articles that we hang onto that we’ve bought or found and might never be able to purchase again. What is in your crafty or artsy treasure trove - those items we squirrel away to keep for something special? Maybe some elegant embellishments, that hoard of ephemera or memorabilia found in a junk shop, a tin of old buttons, rusty keys or diamanté jewels, a paper pad you get out and stroke then put away again, some beautiful fabric or lace you can’t bear to part with.......
Like everybody out there, I have amassed a pretty extensive haul of crafty treasures. Some have been bought at considerable expense (but don't tell my DH), some have been gifted and some of my most favourite,are those that have been 'found'. My guest project features some of these precious, found objects, as well as some of my treasured purchases.
Here's a picture of one of my little 'treasure chests' which houses, pieces of sea glass, rusty springs and general odds and sods. In here, there is flattened piece of tin can, which I spied on the car park of the place I used to work. It was there for some time before I picked it up and squirreled it away. I had to wait until I was leaving work on my own, as I'm sure my colleagues would have thought I was mad picking up bits of 'rubbish'..... I digress... On opening the tin I saw several things I wanted to use. I chose a metal, flying goose brooch, picked up in a charity shop, the bottom of a tin can I'd been rusting in my garden, a piece of green sea glass and a spiral car spring. Strangely, I felt that these objects, just somehow, belonged together. Initially I was going to mount them inside a small canvas but when the postman kindly delivered my package of Tim Holtz Vignette boxes I quickly changed my mind. I used the largest box in the set and gave the outside a coat of white gesso, before applying Deco Art Crackle Paste with a palette knife. Once it was dry and the crackles appeared, I applied several light washes of Cobalt Turquoise and Prussian Blue Deco Art Media Fluid Acrylics. I followed this with Andy Skinner's highly recommended, 'dirty wash'. This is basically a wash made with Quinacridone Gold, Panes Grey and a touch of Yellow Iron Oxide. Voila! instant vintaging. Here's a close up......
and here's the Vignette Box......
I cut some strips of paper from one of Mr Holtz's paper stacks, and adhered them to the insides. I used a piece of card for the back panel which I decorated with faux brick work. To achieve this look, I firstly painted the card with Paper Artsy Fresco finish paints, in a mixture of Buff, Terracota and touch of Mudsplat. These colours are from one of Seth Apter's limited edition ranges. Once dry, I stamped over the surface with a texture stamp using black Archival ink.....
I then used a brick patterned embossing folder and ran the card through my Big Shot, taking care to ensure that the painted surface was uppermost in the card so that the brick pattern came out raised. I then carefully swiped over the surface with a clear Versa Mark Ink Pad and applied some of the new Seth Apter& Emerald Creek, Baked Texture embossing powder in Chunky Rust. After heating the surface, the powder worked it's magic and I was thrilled with the result.......
I can see why there is so much interest in these new embossing powders! Once the background was finished, it was time to attach my treasures......
I tried a couple of different arrangements before deciding that there was really only one way to bring the pieces together. I wrapped some rusty wire around the sea glass and then attached everything, using my 'hot glue pen'. This is a recent acquisition, and seemed to work really well. Before I finally attached the assemblage inside the Vignette Box, I added some decorative elements.
